Follow
Claudia Muth
Claudia Muth
Unknown affiliation
Verified email at uni-bamberg.de
Title
Cited by
Cited by
Year
The Aesthetic Aha: On the pleasure of having insights into Gestalt
C Muth, CC Carbon
Acta psychologica 144 (1), 25-30, 2013
2882013
The appeal of challenge in the perception of art: How ambiguity, solvability of ambiguity, and the opportunity for insight affect appreciation.
C Muth, VM Hesslinger, CC Carbon
Psychology of Aesthetics, Creativity, and the Arts 9 (3), 206, 2015
1322015
The stream of experience when watching artistic movies. Dynamic aesthetic effects revealed by the Continuous Evaluation Procedure (CEP)
C Muth, MH Raab, CC Carbon
Frontiers in Psychology 6, 124379, 2015
862015
Give me Gestalt! Preference for cubist artworks revealing high detectability of objects
C Muth, R Pepperell, CC Carbon
Leonardo 46 (5), 488-489, 2013
822013
SeIns: Semantic instability in art
C Muth, CC Carbon
Art & Perception 4 (1-2), 145-184, 2016
632016
Variants of semantic instability (SeIns) in the arts: A classification study based on experiential reports.
C Muth, VM Hesslinger, CC Carbon
Psychology of Aesthetics, Creativity, and the Arts 12 (1), 11, 2018
352018
Am Anfang war die Verschwörungstheorie
M Raab, CC Carbon, C Muth, M Raab, CC Carbon, C Muth
Am Anfang war die Verschwörungstheorie, 1-18, 2017
342017
Semantic stability is more pleasurable in unstable episodic contexts. On the relevance of perceptual challenge in art appreciation
C Muth, MH Raab, CC Carbon
Frontiers in Human Neuroscience 10, 43, 2016
222016
“Aha” ptics: enjoying an aesthetic aha during haptic exploration
C Muth, S Ebert, S Marković, CC Carbon
Perception 48 (1), 3-25, 2019
182019
Expecting the unexpected: How gallery visitors experience semantic instability in art
C Muth, MH Raab, CC Carbon
Art & Perception 5 (2), 121-142, 2017
182017
“I like how it looks but it is not beautiful”: Sensory appeal beyond beauty
C Muth, J Briesen, CC Carbon
Poetics 79, 101376, 2020
172020
Seeking (dis) order: Ordering appeals but slight disorder and complex order trigger interest.
C Muth, G Westphal-Fitch, CC Carbon
Psychology of Aesthetics, Creativity, and the Arts 15 (3), 439, 2021
142021
SeIns. Semantic instability in art. Art & Perception, 4 (1-2), 145-184
C Muth, CC Carbon
92016
When art is not mastered but creates Insights. Shifting in and out of Semantic Instability
C Muth, CC Carbon
Art & Perception 7 (2-3), 123-136, 2019
62019
Predicting instabilities: an embodied perspective on unstable experiences with art and design
C Muth, CC Carbon
Philosophical Transactions of the Royal Society B 379 (1895), 20220416, 2024
42024
Affect and self-efficacy infuse the experience of ambivalent photographs
C Muth, S Albrecht, CC Carbon
psihologija 50 (3), 307-317, 2017
42017
M5oX: Methoden zur multidimensionalen und dynamischen Erfassung des Nutzererlebens
MH Raab, C Muth, CC Carbon
Oldenbourg Verlag, 2013
42013
There’s more than one way to irritation! An attempt to categorize ambiguity in art
C Muth, CC Carbon
Psychology 19 (5), 587-601, 2012
22012
Ambivalence of artistic photographs stimulates interest and the motivation to engage.
C Muth, CC Carbon
Psychology of Aesthetics, Creativity, and the Arts, 2022
12022
Dystopien und Verschwörungstheorien
M Raab, CC Carbon, C Muth, M Raab, CC Carbon, C Muth
Am Anfang war die Verschwörungstheorie, 33-64, 2017
12017
The system can't perform the operation now. Try again later.
Articles 1–20